Käthe Kollwitz Walks from Florence to Rome, 1907
I walk as a pilgrim
Receive food from villagers
Step through a manuscript
Spirit searcher, holder of stones
In my fortieth year I carry a staff
That will become my husband's spine
I walk through forests
Trees model for frescoes
Paint seeps to walls, becomes
Sure as mineral
Land gives up mystery
Embraces then releases
Like river rejects rock
I pass through a scene of ruins
A marble hand broken at the wrist
Grasps a weapon long fragmented
A carved face peers through dust
Birthing from earth, fossil
To intention, white as bone but not
Delicate foot oddly at rest on its side
A cocoon ambivalent to liveliness
I dig through dirt. My hands cupped
Find arms frozen
In these years ancient relics mimic
What is to come
Battlefields strewn with human designs
Limbs and crowns ignited
From promise
Mothers will scour crust for sons,
For bloody selves
But on this day I am not forewarned
I am coltish, my boy alive,
My grandson a dream
I explore Etruscan tombs
Murals describe afterlife as banquet
Archaic engraved mirror
Depicts a couple's ardent embrace
How can line incised through bronze
Know this?
Furrowed as if making channels for veins
When I was a girl I believed in pagan gods
My preacher grandfather was scandalized
I sat on the floor surrounded by prints
Of Charon, Ares, Aphrodite,
In heroic three-quarter view
How can line love a body?
How can line hold sadness
The way a body stores it?
I emerge from the graves
Their mouths porous like aquatint
A darkness for breathing
And daylight, ecstatic as burnished
Metal set in sun
I come to a simple room to rest
Above my pillow a window
Cut through thick walls
Its pane a composition of paths
The constellations, minuscule dreams
Of energy bursting
The wind, my grief to be formed
Laura Stickney
Notes:
Käthe Kollwitz, (1867-1945) was a great German
printmaker and sculptor. This poem imagines the
walk she took in 1907. She lost her son Peter
on the battlefield in 1914 in World War I. Her
grandson was killed in WWII.
aquatint-- an etching technique to create a range
of tonalities, dark to light.
photograph of Käthe Kollwitz at her work table,
c. 1910, artnet news
Never heard of her. Thanks for the introduction and poem. xoxo
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